Jun 042011
 

You can’t hide here and you can’t hide there,
cause’ life will find you everywhere.
Ashes to ashes and dust to dust,
take a deep breath and readjust.

It’s not all good and it’s not all bad
so don’t get sad and don’t get mad.
Over the river and into the trees;
if you want some honey, follow the bees.

Throw the dice and flap your wings
lest you miss some very cool things.
Use your wits and take some care,
be the tortoise and the hare.

You have the cards so play your hand.
Build some castles in the sand.
It’s what you think that makes you you.
So above all else, to yourself be true.

 June 4, 2011
Feb 062006
 

Unwittingly, though unerringly, she lives by her script—the coping tapes, the survival codes, the ones we write in childhood to get through each day to the next. Unchallenged, thus unrevised, her script crafts her future as predictably as we mark the movement of the stars.

In her early pubescent days—the heavy-burdened days of her young and tentative womanhood—she sought the mother love she’s never had from boys whose nature-driven bodies sought something else.

These collisions of mismatched wills and wiles, of offers and compromise—acceptance of disguised, deceptive, and fleeting fulfillment—refined and sculpted her nature and fate.

She gave the boys what they wanted. Oddly, to her, at times she enjoyed giving them what they wanted–and what they gave to her. But when they were done she was empty again. She did not feel loved.

Now, in her tightly-bound woman world, romance as she knows it abides ever so briefly to protect her from the certainty of common life, the reality of change and loss of which she is most afraid. It is tricky to manage though. It is increasingly demanding to keep reality at bay. The pain of unmet expectations in another ill-conceived, starry-eyed adventure—one more self-scripted romantic failure, is a moment of utter, bitter confirmation that she is surely unworthy of worthy love.

Yet, loyal to script, each painful encounter is new. She is caught unaware, fully surprised at this great, awful, unwanted, unearned suffering of a kind and measure so very familiar to her should she dare to give it even a passing sideways glance for an honest moment or two.

For her denial of authorship, the cost is high. Unremitting tears well up from deep reservoirs of longing where love so desperately wants to be.

Oh, dear woman, your release awaits you on the other side of your sorrow, should you choose to love yourself … at last.

 February 6, 2006
Dec 292005
 

I don’t like pretense and posturing when
I encounter them in others, and when I
sense a hint of either in myself, I reject it
quickly—swat it away like it’s a venomous
insect about to poison my system.

These two desperadoes seem diametrically
opposed to what we most naturally seek,
which I believe is an authentic, honest Self.

Still, I remember the awkward adolescent
days when pretense and posturing often
served as temporary pseudo-Selves handy
for trying on different personalities in the
sometimes very unsettling search for identity.

These interlopers were useful back then,
especially when ones’ Self felt like some kind
of elusive, wispy, character-playing, now-you-
see-me-now-you-don’t head games on a
hormone-rattled, stressed out teenager.

It was a relief when they were no longer welcome,
when I had finally defined and embraced what
I believe it means to be a man.

 December 29, 2005
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